On Twitter, someone asked for book recommendations for Austen fans, and what came to mind was not a continuation, a sequel, or an inspired-by. It was JULIET, NAKED by Nick Hornby.
Nick Hornby is my idea of a contemporary Jane Austen. So is Zadie Smith, particularly her novel ON BEAUTY. Both authors make profound observations of human nature, give us romance without sentimentality, have a divine sense of humor, and are simply master storytellers. In my writing workshops I inevitably read passages from both Hornby and Smith.
For me, Hornby’s JULIET, NAKED brought to mind some of the online discussions that occur amongst Austen’s most devoted readers. A central premise of the book is that no matter how much the admirers of an artist’s work examine that work, study it, parse it for meaning, and become “experts,” they can never acquire irrefutable proof that the creator felt a certain way or had a particular type of experience at the time she created it. Bottom line is that it’s nothing more than speculation. And speculation is often wrong. (more…)
A look at James Cawthorn, George Austen and “The Curious Case of the Schoolboy Who Was Killed” by Martin J. Cawthorne
by Matthew Coniam of The Jane Austen Centre
Jane Austen’s father, George Austen has many connections to the city of Bath.
On the 26th April 1764 he married, by special licence, Cassandra Leigh in St Swithin’s, Walcot. The Austen family were regular visitors to Bath and in December 1800, after 35 years ministering in Steventon, George Austen announced his retirement and moved to Bath, where he spent his final years. He died in the city on the 21st January 1805 and is buried at St Swithin’s Church where a memorial to him has been erected.
Jane Austen lived at home with her parents all her life and the Rev George Austen played a significant part in her life. Apart from a brief period at boarding school, Jane was largely educated at home; George also provided writing equipment for her to develop her literary talent. The Rev Austen features in Jane’s correspondence and as a result much is known about his adult life. Very little, however, has been written about George Austen’s early life, before he met and married Cassandra Leigh. It is known that he was orphaned at the age of six before going to school in his home town of Tonbridge, Kent, from where he won a scholarship to study at St John’s College, Oxford. However, very little has been written about these formative early years of his life – until now.
Calling all Austen Addicts: Gabrielle of a new blog called the Dear Jane Project wants to publish your personal stories of what Austen means to you and how her works have touched your life. Simply submit your story in the form of a letter to Jane Austen at email@example.com, and Gabrielle will post them on the blog.
Photo by Cathryn Lavery
Here’s what Gabrielle says about her vision for the Dear Jane Project: “Hopefully, this project will allow fans from around the world to share their stories, and create a community…Each one of us has a story, and my goal is for us all to be able to share them. I think it is a great way to commemorate the life of Jane Austen as we approach the 200th anniversary of her death. What would you write to Jane?”
This luxurious new edition of EMMA features a series of pieces by Austen scholar and professor Juliette Wells, who informs us in her introduction that this is “a reader’s edition, not a scholarly one.” With the needs and wishes of her students in mind, Dr. Wells has included in this edition an abundance of extras that make EMMA’s world and its language as accessible as possible. There are tips for first-time readers of Austen, a series of short pieces that illuminate aspects of everyday life that Austen’s contemporaries would have taken for granted but which often elude today’s readers, a glossary of words that are now either obsolete or have evolved in meaning, plus maps, illustrations, and more.
EMMA is a novel that, like all of Jane Austen’s major works, I have read at least twenty times. A great part of Austen’s genius is that there is always something new to be discovered in her novels, no matter how many times one reads them. Now, thanks to this lovely new edition, there is even more. For there is enough substance in this annotated edition to enlighten and entertain not only novice readers, but Austen devotees.
As an object of beauty, this book deserves high marks as well, with its eye-catching graphics that express both contemporary relevance and period authenticity, its textured, matte apricot-colored background, and its deckle-edged pages that remind us of the days when books had uncut pages to be opened by their first readers.
A conversation with JULIETTE WELLS, Editor and Introducer of EMMA: 200th-Anniversary Annotated Edition
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