Category Archives: Literature

Reading for Writers: The Cormoran Strike Series

I’ve always been a voracious reader. I read for pleasure, relaxation, inspiration, and insights. I’ve also discovered that for those of us who are writers, there’s a bonus feature baked into every great book: a master class on writing.

I enjoy exploring an author’s sensory descriptions, seamless transitions, witty dialogue, deft handling of POV, and judicious sprinklings of humor. I’m fascinated by the sleight of hand that plants foreshadowings and the skillful ways in which the writer made me lose sleep for turning pages late into the night. And, perhaps most important, I am always in awe of the keen eye that shines a light on the manifold facets of human nature.

Jane Austen is one of those authors with an unflinching eye for human nature at its best and its worst. So are Nick Hornby, Zadie Smith, J.K. Rowling, and Aurelia Haslboeck, whose debut novel, The Journeys of John and Julia: Genesis, exemplifies why I return to the works of these authors again and again. I re-read them for pleasure, inspiration, and to marvel at the sheer brilliance of their writing.

Recently, within the space of two weeks, I devoured the first three books in J.K. Rowling’s Cormoran Strike detective series, which she writes under the pen name Robert Galbraith. Here’s a brief clip of Rowling talking about the creation of her series:


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What I’m reading: It by Stephen King

I never did trust clowns. Never did understand how anyone could find them amusing. Or fun. When I see a small child crying at the sight of a clown at a birthday party, I’m like, hey, I feel you. Now, after listening to the mega-long-and-worth-every-second-of-it audiobook for Stephen King’s “It” (over 30 hours!), I feel vindicated. About the clown thing.

I also feel inspired. And awestruck. Because King is truly the master. There is so much depth, insight, compassion, and food for contemplation along with the edge-of-your-seat thrills, that I will be pondering this book for a long time.

I’ve always believed that to write well, one must read. A lot. And reading Stephen King is not only engaging, it comes with a brilliant display of particularity and “show, don’t tell,” and best of of, insightful commentaries on human nature in all its flawed, many-faceted, and endlessly intriguing forms.

“It” deals a lot with childhood. The sheer hellishness of it–bullies, clueless and cruel adults, the phenomenal willpower it takes to withstand parents who are bent on crushing every bit of individuality and light from their children. “It” also sings of the magical power of childhood–the ability to see and sense what adults are blind to, the belief in the existence of magic and all the things, good and evil, that adults simply cannot or refuse to acknowledge. And the life-changing, dragon-slaying power that childhood belief can wield.

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Now that I’ve read 11.22.63 and It, I can’t wait to read more. But which one to read next? Thankfully, there is much to choose from; the man is seriously prolific.

I’m thinking maybe Dolores Claiborne, since I saw the movie at least three times and couldn’t stop thinking about it for many reasons, including its echoing of the myth of Persephone, its themes of surviving trauma, and its multi-layered performance by the inimitable Kathy Bates.

What I’m Reading: Year of Yes by Shonda Rhimes

Who would have thought that the powerhouse creator of Grey’s Anatomy, Scandal, How to Get Away With Murder, and The Catch was an introvert? How could someone who “owns Thursdays” become so overcome with fear at the thought of giving a commencement speech at Dartmouth, her alma mater, or being a guest on Jimmy Kimmel Live, that her strongest impulse is to say no?

Except that she doesn’t say no. After years of giving into extreme shyness and its attendant fears of public exposure and ridicule, after years of saying no to everything that would make an introvert shudder, Shonda Rhimes forces herself to say yes. That journey is the essence of her book YEAR OF YES. year-of-yes-9781476777092_lg

With humor, generosity, and tremendous relatability, the author reveals the extent of her terror and how she blasted through it.  I am loving this book, which I’m listening to on audiobook, beautifully narrated by the author herself.

Here’s a clip of Shonda Rhimes on the Stephen Colbert show.

I’m looking forward to listening to the rest of the book. As someone who spent her childhood as an extremely shy person (and still sometimes fights those tendencies), I highly recommend YEAR OF YES to anyone who wants to break the cycle of “no” and step outside of their comfort zone.

What I’m Reading: 11/22/63 by Stephen King

I’ve decided that the definition of “unputdownable” in the OED should now be “11/22/63 by Stephen King.” I have lost sleep and work time racing through yet savoring every word of this masterfully written time-travel, what-if, alternate-reality tale of a man who travels back through a time-warp/rabbit hole in the back of a diner that lands him in 1958, where he must spend the next five years planning how to thwart the assassination of JFK. On the way, there is more of the past to tamper with, survive, and fall in love with–especially because it is where he meets his soulmate. But nothing is ever easy when it comes to changing the past, no sir. The past will do anything it can to stay put. “The obdurate past,” as King puts it. Indeed.

The past is also “harmonic,” according to 11/22/63. In fact, the act of reading 11/22/63 seems to generate its own harmonies, for as I entered the last third of the novel, an ad for the event series based on the work caught my eye on the Hulu home screen. Now I won’t have to feel as sad as I usually would do upon turning the last page of such an enthralling, mind-expanding read. I’ll have eight episodes to look forward to. Am hoping they do this brilliant work justice.

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EMMA 200th Anniversary Edition

This luxurious new edition of EMMA features a series of pieces by Austen scholar and professor Juliette Wells, who informs us in her introduction that this is “a reader’s edition, not a scholarly one.” With the needs and wishes of her students in mind, Dr. Wells has included in this edition an abundance of extras that make EMMA’s world and its language as accessible as possible. There are tips for first-time readers of Austen, a series of short pieces that illuminate aspects of everyday life that Austen’s contemporaries would have taken for granted but which often elude today’s readers, a glossary of words that are now either obsolete or have evolved in meaning, plus maps, illustrations, and more.

EMMA is a novel that, like all of Jane Austen’s major works, I have read at least twenty times. A great part of Austen’s genius is that there is always something new to be discovered in her novels, no matter how many times one reads them. Now, thanks to this lovely new edition, there is even more. For there is enough substance in this annotated edition to enlighten and entertain not only novice readers, but Austen devotees.

As an object of beauty, this book deserves high marks as well, with its eye-catching graphics that express both contemporary relevance and period authenticity, its textured, matte apricot-colored background, and its deckle-edged pages that remind us of the days when books had uncut pages to be opened by their first readers.

A conversation with JULIETTE WELLS, Editor and Introducer of EMMA: 200th-Anniversary Annotated Edition

Click here to read more…

What I’m Reading: Everything by Gayle Forman

Having raced through Gayle Forman’s profoundly moving If I Stay, I immediately devoured the second book in the series, Where She Went. And that was it: I was hooked. My binge continued with Just One Day, Just One Year, and Just One Night, and finished (for now) with her courageous I Was Here.

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There’s a lot that I love about these novels: They are packed with wisdom without a hint of preachiness. They are brimming with love without a drop of sentimentality. And they are refreshingly unpredictable. Instead of relying on those familiar devices one often sees in stories about love–the meet-cute, the hate-at-first-sight that turns into uncontrollable attraction, Forman gives us the messiness of real life, which rarely turns out the way we think it will. (more…)