Enjoy group reads, movie watching, Twitter parties, discussions, giveaways, and more at this yearly event.
Calling all Austen Addicts: Gabrielle of a new blog called the Dear Jane Project wants to publish your personal stories of what Austen means to you and how her works have touched your life. Simply submit your story in the form of a letter to Jane Austen at firstname.lastname@example.org, and Gabrielle will post them on the blog.
Here’s what Gabrielle says about her vision for the Dear Jane Project: “Hopefully, this project will allow fans from around the world to share their stories, and create a community…Each one of us has a story, and my goal is for us all to be able to share them. I think it is a great way to commemorate the life of Jane Austen as we approach the 200th anniversary of her death. What would you write to Jane?”
I’ve always been a voracious reader. I read for pleasure, relaxation, inspiration, and insights. I’ve also discovered that for those of us who are writers, there’s a bonus feature baked into every great book: a master class on writing.
I enjoy exploring an author’s sensory descriptions, seamless transitions, witty dialogue, deft handling of POV, and judicious sprinklings of humor. I’m fascinated by the sleight of hand that plants foreshadowings and the skillful ways in which the writer made me lose sleep for turning pages late into the night. And, perhaps most important, I am always in awe of the keen eye that shines a light on the manifold facets of human nature.
Jane Austen is one of those authors with an unflinching eye for human nature at its best and its worst. So are Nick Hornby, Zadie Smith, J.K. Rowling, and Aurelia Haslboeck, whose debut novel, The Journeys of John and Julia: Genesis, exemplifies why I return to the works of these authors again and again. I re-read them for pleasure, inspiration, and to marvel at the sheer brilliance of their writing.
Recently, within the space of two weeks, I devoured the first three books in J.K. Rowling’s Cormoran Strike detective series, which she writes under the pen name Robert Galbraith. Here’s a brief clip of Rowling talking about the creation of her series:
I never did trust clowns. Never did understand how anyone could find them amusing. Or fun. When I see a small child crying at the sight of a clown at a birthday party, I’m like, hey, I feel you. Now, after listening to the mega-long-and-worth-every-second-of-it audiobook for Stephen King’s “It” (over 30 hours!), I feel vindicated. About the clown thing.
I also feel inspired. And awestruck. Because King is truly the master. There is so much depth, insight, compassion, and food for contemplation along with the edge-of-your-seat thrills, that I will be pondering this book for a long time.
I’ve always believed that to write well, one must read. A lot. And reading Stephen King is not only engaging, it comes with a brilliant display of particularity and “show, don’t tell,” and best of of, insightful commentaries on human nature in all its flawed, many-faceted, and endlessly intriguing forms.
“It” deals a lot with childhood. The sheer hellishness of it–bullies, clueless and cruel adults, the phenomenal willpower it takes to withstand parents who are bent on crushing every bit of individuality and light from their children. “It” also sings of the magical power of childhood–the ability to see and sense what adults are blind to, the belief in the existence of magic and all the things, good and evil, that adults simply cannot or refuse to acknowledge. And the life-changing, dragon-slaying power that childhood belief can wield.
Now that I’ve read 11.22.63 and It, I can’t wait to read more. But which one to read next? Thankfully, there is much to choose from; the man is seriously prolific.
I’m thinking maybe Dolores Claiborne, since I saw the movie at least three times and couldn’t stop thinking about it for many reasons, including its echoing of the myth of Persephone, its themes of surviving trauma, and its multi-layered performance by the inimitable Kathy Bates.
If you can’t get enough of Jane Austen on your own, at home, re-reading her novels and watching all those film and TV adaptations, help is just around the corner. It’s the Jane Austen Summer Program! Here are the deets, straight from the official press release:
“Mansfield Park & Its Afterlives”
June 16 to 19, 2016
Hosted by the University of North Carolina, CH and JASNA-NC
CHAPEL HILL, N.C. — This summer, more than 100 people, including Austen fans, established scholars, graduate students, K-12 teachers, and aspiring authors, will have the opportunity to hear expert speakers and participate in discussion groups on Austen’s most controversial novel, Mansfield Park. Attendees will also partake in an English tea, dance at a Regency-style ball, join in a Regency-themed pub crawl, and visit special exhibits tailored to the conference. (more…)
Who would have thought that the powerhouse creator of Grey’s Anatomy, Scandal, How to Get Away With Murder, and The Catch was an introvert? How could someone who “owns Thursdays” become so overcome with fear at the thought of giving a commencement speech at Dartmouth, her alma mater, or being a guest on Jimmy Kimmel Live, that her strongest impulse is to say no?
Except that she doesn’t say no. After years of giving into extreme shyness and its attendant fears of public exposure and ridicule, after years of saying no to everything that would make an introvert shudder, Shonda Rhimes forces herself to say yes. That journey is the essence of her book YEAR OF YES.
With humor, generosity, and tremendous relatability, the author reveals the extent of her terror and how she blasted through it. I am loving this book, which I’m listening to on audiobook, beautifully narrated by the author herself.
Here’s a clip of Shonda Rhimes on the Stephen Colbert show.
I’m looking forward to listening to the rest of the book. As someone who spent her childhood as an extremely shy person (and still sometimes fights those tendencies), I highly recommend YEAR OF YES to anyone who wants to break the cycle of “no” and step outside of their comfort zone.
I used to think of ‘writing at a standing desk’ as an oxymoron–can’t be done. And didn’t article after article talk about how despite how good for you standing desks are, writing is best done sitting down? Well, I’m happy to say that I was wrong. I have gone from raising a skeptical eyebrow at the ‘standing desk craze’ to full-on convert.
Why do I LOVE writing at my standing desk?
- It’s energized my writing routine. I feel physically, mentally, and emotionally vibrant as I stand at my desk and write.
- I’ve always thought of writing fiction as something akin to acting, and somehow standing enables me to connect on a more physical level with what the characters are feeling and doing than when I’m sitting slumped in my chair. Yeah, I tend to slump when sitting. Which leads me to the next point.
- My posture is better when I’m standing and writing than when I’m sitting and writing.
- I am more focused when standing than I am when sitting.
- I have more clarity about both big picture and details when I’m standing than when I’m sitting.
- Standing helps me remember to do the ‘power pose’ from that famous TED talk by Amy Cuddy. And that’s always great for my writing.
This is my ReadyDesk standing desk converter, which sits on top of my regular desk. It comes with two shelves that you can move around till you find the perfect height. I also bought an extra shelf:
Can’t wait to see what Whit Stillman does with this one. I’ve always thought Lady Susan would be really tough to adapt, but if this trailer is any indication, it’s going to be deliciously wicked fun.