Having raced through Gayle Forman’s profoundly moving If I Stay, I immediately devoured the second book in the series, Where She Went. And that was it: I was hooked. My binge continued with Just One Day, Just One Year, and Just One Night, and finished (for now) with her courageous I Was Here.
There’s a lot that I love about these novels: They are packed with wisdom without a hint of preachiness. They are brimming with love without a drop of sentimentality. And they are refreshingly unpredictable. Instead of relying on those familiar devices one often sees in stories about love–the meet-cute, the hate-at-first-sight that turns into uncontrollable attraction, Forman gives us the messiness of real life, which rarely turns out the way we think it will. (more…)
It may be the third millennium, but not much has changed* since the days of getting laced into a corset so stiff that one could barely lean over, let alone breathe. It’s no wonder ladies had to carry around smelling salts, or “vinaigrettes,” as they were called in Jane Austen’s day. Those Mr. Darcy types may have been swoon-worthy, but it was likely more a lack of oxygen than romantic flutterings that caused ladies to faint.
It wasn’t only ladies who were wearing corsets or “stays.” The Prince Regent was a favorite target of cartoonists for trying to mask his size with a corset.
Today, we call these instruments of torture “shapewear.” Sounds friendly and appealing, doesn’t it? After all, who doesn’t want to have a shape?
The promise and the reality of shapewear, however, can be two very different things. If you’ve ever had a shapewear nightmare of your own, you will love Melissa McCarthy’s story.
But here’s where we can really explore the WHY of shapewear–and ROFL in the process. This is about three guys who decide to test out a girlfriend’s Spanx just for a laugh, and get more than they bargained for. Brilliant. (more…)
This luxurious new edition of EMMA features a series of pieces by Austen scholar and professor Juliette Wells, who informs us in her introduction that this is “a reader’s edition, not a scholarly one.” With the needs and wishes of her students in mind, Dr. Wells has included in this edition an abundance of extras that make EMMA’s world and its language as accessible as possible. There are tips for first-time readers of Austen, a series of short pieces that illuminate aspects of everyday life that Austen’s contemporaries would have taken for granted but which often elude today’s readers, a glossary of words that are now either obsolete or have evolved in meaning, plus maps, illustrations, and more.
EMMA is a novel that, like all of Jane Austen’s major works, I have read at least twenty times. A great part of Austen’s genius is that there is always something new to be discovered in her novels, no matter how many times one reads them. Now, thanks to this lovely new edition, there is even more. For there is enough substance in this annotated edition to enlighten and entertain not only novice readers, but Austen devotees.
As an object of beauty, this book deserves high marks as well, with its eye-catching graphics that express both contemporary relevance and period authenticity, its textured, matte apricot-colored background, and its deckle-edged pages that remind us of the days when books had uncut pages to be opened by their first readers.
A conversation with JULIETTE WELLS, Editor and Introducer of EMMA: 200th-Anniversary Annotated Edition
…including the long-awaited Book 3 of the Jane Austen Addict series, in which Courtney and Jane finally come face to face, and it’s not pretty, especially because they must decide which world is really their home–while navigating scandal, blackmail, deception, and romantic chaos.
“Great fun…I spent a blissful day with it.”–The Guardian
“Clever, funny”–Publishers Weekly
“Rigler adds her fun-filled share to Austen’s ‘bit of ivory,’ showing her legacy to be alive and kicking in contemporary writing.”–Independent on Sunday