Who would have thought that the powerhouse creator of Grey’s Anatomy, Scandal, How to Get Away With Murder, and The Catch was an introvert? How could someone who “owns Thursdays” become so overcome with fear at the thought of giving a commencement speech at Dartmouth, her alma mater, or being a guest on Jimmy Kimmel Live, that her strongest impulse is to say no?
Except that she doesn’t say no. After years of giving into extreme shyness and its attendant fears of public exposure and ridicule, after years of saying no to everything that would make an introvert shudder, Shonda Rhimes forces herself to say yes. That journey is the essence of her book YEAR OF YES.
With humor, generosity, and tremendous relatability, the author reveals the extent of her terror and how she blasted through it. I am loving this book, which I’m listening to on audiobook, beautifully narrated by the author herself.
Here’s a clip of Shonda Rhimes on the Stephen Colbert show.
I’m looking forward to listening to the rest of the book. As someone who spent her childhood as an extremely shy person (and still sometimes fights those tendencies), I highly recommend YEAR OF YES to anyone who wants to break the cycle of “no” and step outside of their comfort zone.
I used to think of ‘writing at a standing desk’ as an oxymoron–can’t be done. And didn’t article after article talk about how despite how good for you standing desks are, writing is best done sitting down? Well, I’m happy to say that I was wrong. I have gone from raising a skeptical eyebrow at the ‘standing desk craze’ to full-on convert.
Why do I LOVE writing at my standing desk?
It’s energized my writing routine. I feel physically, mentally, and emotionally vibrant as I stand at my desk and write.
I’ve always thought of writing fiction as something akin to acting, and somehow standing enables me to connect on a more physical level with what the characters are feeling and doing than when I’m sitting slumped in my chair. Yeah, I tend to slump when sitting. Which leads me to the next point.
My posture is better when I’m standing and writing than when I’m sitting and writing.
I am more focused when standing than I am when sitting.
I have more clarity about both big picture and details when I’m standing than when I’m sitting.
I’ve decided that the definition of “unputdownable” in the OED should now be “11/22/63 by Stephen King.” I have lost sleep and work time racing through yet savoring every word of this masterfully written time-travel, what-if, alternate-reality tale of a man who travels back through a time-warp/rabbit hole in the back of a diner that lands him in 1958, where he must spend the next five years planning how to thwart the assassination of JFK. On the way, there is more of the past to tamper with, survive, and fall in love with–especially because it is where he meets his soulmate. But nothing is ever easy when it comes to changing the past, no sir. The past will do anything it can to stay put. “The obdurate past,” as King puts it. Indeed.
The past is also “harmonic,” according to 11/22/63. In fact, the act of reading 11/22/63 seems to generate its own harmonies, for as I entered the last third of the novel, an ad for the event series based on the work caught my eye on the Hulu home screen. Now I won’t have to feel as sad as I usually would do upon turning the last page of such an enthralling, mind-expanding read. I’ll have eight episodes to look forward to. Am hoping they do this brilliant work justice.
…including the long-awaited Book 3 of the Jane Austen Addict series, in which Courtney and Jane finally come face to face, and it’s not pretty, especially because they must decide which world is really their home–while navigating scandal, blackmail, deception, and romantic chaos.
“Great fun…I spent a blissful day with it.”–The Guardian
“Clever, funny”–Publishers Weekly
“Rigler adds her fun-filled share to Austen’s ‘bit of ivory,’ showing her legacy to be alive and kicking in contemporary writing.”–Independent on Sunday